Gone In 41 Seconds — Police Quick to Kill Korean Artist
Feb 24, 2008
LA HABRA, Calif. — On the afternoon of December 31, 2007, two police officers encountered Michael Cho in the parking lot of a liquor store in La Habra, a small, generally quiet city in Orange County, California. It didn’t take long for the meeting to go bad. After less than a minute the officers unleashed a barrage of bullets on the 25-year-old artist, ending his life - and setting off an ongoing cascade of protests across Southern California’s Korean American community.Computerized police logs obtained by New America Media suggest the officers quickly turned to deadly force when they confronted Cho, whom they suspected of vandalism. According to the Computer Automated Transcript documenting the incident, at 2:04 p.m. the cops contacted their dispatcher to say they’d located Cho. “Out with the subject near the liquor store,” the transcript reads. Just 41 seconds later they radioed dispatch again, this time saying they’d shot the suspect and now needed paramedics to attend to him. “Shot fired, Suspect down, Medics requested,” reads the transcript. In the aftermath of the killing, Cho’s family has publicly condemned the department, saying the officers rushed to shoot Cho, rather than using less lethal tools like pepper spray or Taser stun guns to subdue him.
“The police killed my son like a dog,” Cho’s mother, Honglan Cho, recently told the La Habra City Council. According to Shelly Lynn Kaufman, an attorney for the Cho family, the fusillade of bullets left ten holes in his body.
They’re coming for us all.
Street Styles of New York Fashion Week at Mercedes Benz Fashion Show
Some musings from yesterday.
Helen Pynor: Liquid Ground
Conceived from her research into the numerous recorded cases of accidental drowning in london’s thames river,
Australian artist Helen Pynor has created ‘Liquid Ground’, a series of large-scale photographs which capture
various water-buoyed garments expelling human organs from within its floating form. simultaneously haunting and surreal,
the unexpected injection of internal organs into an otherwise dreamy underwater scene results in a collection of images
that is arresting in both a visual and visceral manner.
Pynor explores new ways in which we can relate to our body’s makeup by rejecting the celebration of gore and horror but drawing from both personal and cultural stories. utilizing phantom forms, the notion of the human body is approached in a highly sensitive and emotional manner despite the morbidity of the subject matter.
via Design Boom
Helen Pynor gained a BSc (Hons) in Biology at Macquarie University majoring in cellular and molecular biology, a BVA at Sydney College of the Arts, The University of Sydney majoring in photography, sculpture and installation, and a PhD at Sydney College of the Arts, The University of Sydney. In her doctoral thesis, she sought the reconciliation of materialist understandings of the human body with understandings of the body as a culturally-constructed entity, a theme she continues to explore.
Pynor draws extensively from the writings of scientists as well as philosophers of biology, in addition to working with scientists in both collaborative and consultative roles. Her practice is integrally tied to a questioning of the philosophical and material status of human and non-human organisms. (via)
I feel so alive to have stumbled upon I go by Frankie!
" Randomly, I’m as mad and rude as a Parisian girl should be, I love French fries, red wine, high heels and mayonnaise. I throw “bitch” everywhere cause my mum doesn’t speak English. I secretly wish I’ll be a gangsta in my next life. I hate fishnet tights, the number 3, Ugg boots, Brussels sprouts and the number 14. I don’t trust the Mayans, the weather forecast lady and TFL’ service updates – among other bitches.
More seriously, I am also a personal stylist (buying clothes with other people’s money is something highly enjoyable) and a fashion digital marketer.” - www.igobyfrankie.com